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The Big Gay Jamboree - NYC [40775]

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The Big Gay Jamboree

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Poster of The Big Gay Jamboree in New York.

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The Big Gay Jamboree - NYC [40775] - Product Media

Performers on stage in colorful costumes dance energetically, surrounded by dramatic lighting and a vibrant backdrop.

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A group of five women in colorful dresses pose together on stage, with framed portraits in the background.

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A woman in a green dress sings on stage, surrounded by dancers, under green lighting with a forest backdrop.

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Performer on stage wearing a colorful outfit, striking a dynamic pose with one leg raised. Vibrant stage lighting and a mountainous backdrop set the scene.

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A group of performers in colorful costumes pose energetically on stage against a backdrop of a western town and mountains.

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A man and woman are on a stage, both talking on their phones. The man wears a colorful sleeveless hoodie and headphones; the woman wears a bright red dress.

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Colorful marquee for "The Big Gay Jamboree" with a moonlit starry sky background and a grassy field below.

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Black Friday US

Marla Mindelle stars as Stacey in [*The Big Gay Jamboree*](https://www.newyorktheatreguide.com/show/40775-the-big-gay-jamboree), which she also co-created, off Broadway at the [Orpheum Theatre](https://www.newyorktheatreguide.com/venues/orpheum-theatre) from September 14, 2024 to January 19, 2025.

Mindelle is best known for originating the role of Celine Dion in [*Titanique*](https://www.newyorktheatreguide.com/show/25241-titanique-tickets) off Broadway, winning a Lucille Lortel Award for her performance. The show, which she also co-wrote, won the award for Outstanding Musical.

Her Broadway credits include *Sister Act* (Outer Critics Circle Award nomination), *Cinderella*, and *South Pacific*. On screen, she starred as Olivia in the Emmy-nominated Netflix series *Special*.

Marla Mindelle - NY

Ages 13+. Children under 4 are not permitted in the theater.

Daryl Roth Theatre

Titanique - NYC [25241]

Titanique

Titanique - NYC Product Media

The new Off-Broadway musical&nbsp;<a href="https://www.newyorktheatreguide.com/show/titanique" target="_blank">Titanique</a>&nbsp;has a&nbsp;cast and creative team of Broadway vets. But they, led by director/co-writer Tye Blue, also share a background doing pop parody musicals and dinner theatre in LA. This is the cozy, campy world from which&nbsp;Titanique&nbsp;hails, and it's now docked here on the East Coast through September. Don't go expecting a piece of high art or a faithful recreation of the&nbsp;James Cameron&nbsp;film it's based on, but do expect a titanic amount of pure joy.You'll get that vibe immediately upon entering the Asylum Theatre — a casual comedy venue that perfectly fits the show — when you hear the pre-show playlist that includes "Bootylicious," "This Will Be," and "We Are Family." Nostalgic-meets-contemporary is the name of the game, and so it is with the 100-minute show that follows.Titanique&nbsp;launches from a Titanic museum tour, where visitors are gawking over the Heart of the Ocean (here an oversized Party City decoration). Suddenly, a woman appears and reveals herself to be Celine Dion, shedding her trash-covered cloak to reveal a glittery gold gown that looks like it cost more than the entire rest of the production. She takes over the tour, and the narration of the show, to share what really happened on board the Titanic — namely, to Jack and Rose.Her tale is as much a love letter to the&nbsp;Titanic&nbsp;movie as it is to the people obsessed with that movie: pop culture-savvy, queer theatre kids, or so the creators presume from experience. (Happy Pride indeed.) References to TikTok trends (like Julia Fox's pronunciation of "uncut gems") and niche theatre jokes (a life-size <a href="https://www.newyorktheatreguide.com/show/company" target="_blank">Patti LuPone</a> cutout makes multiple appearances) abound. Older and/or less theatre-obsessed audiences will find more of their enjoyment in the recreations of all the major&nbsp;Titanic&nbsp;movie moments and the Dion hits that score the show.Some of those songs are more cleverly slotted in than others, but they're all gorgeously performed. The&nbsp;Titanique&nbsp;cast's Broadway-grade talent shines at its fullest through their voices.&nbsp;Rose (Alex Ellis) and The Unsinkable Molly Brown (Kathy Deitch) get the powerhouse duet "Tell Him," which starts as a heartfelt encouragement and ends as an extended innuendo involving an eggplant prop. As a "bedazzled metrosexual" version of Rose's fiance Cal, John Riddle gets a late-show solo that also brings the house down. As Celine, the over-the-top Marla Mindelle harmonizes with nearly everyone's songs (they are technically hers, after all), and though her voice has a different tonal quality than the real Dion's, there's a brief moment in "My Heart Will Go On" when she sounds uncannily like the singer.Alongside them, Constantine Rousouli cuts a dashing, boyish figure as Jack (with the same swoopy hair as Titanic-era Leo DiCaprio), and Frankie Grande steals every scene he's in as Victor Garber, a mashup of a few Titanic&nbsp;side characters. Jaye Alexander plays his right-hand seamen (the source of many double entendres) but gets a late showcase as "the Iceberg bitch," who's dressed as Tina Turner and hosts a&nbsp;RuPaul's Drag Race&nbsp;lip-sync battle to decide who will make it on the lifeboat. Because why not?Titanique&nbsp;is one of those shows where anything can happen, so it does, up until the final twists that you surely won't see coming. It's best just to grab your friends, grab some drinks (the show sells them in buckets), and just get on board. The cast and creators' enthusiasm is infectious, and if you just let it wash over you, you'll have a boatload of fun.<a href="https://www.newyorktheatreguide.com/show/titanique" target="_blank">Titanique&nbsp;is at the Asylum Theatre through September 25. Get&nbsp;Titanique&nbsp;tickets on New York Theatre Guide.</a>Photo credit: Constantine Rousouli, Marla Mindelle &amp; Alex Ellis in Titanique. (Photo by Emilio Madrid)

'Titanique' review — a boatload of campy fun

Titanique is at the Daryl Roth Theatre. Get Titanique tickets on New York Theatre Guide.

Titanique Off-Broadway Review | New York Theatre Guide

Set sail on the Ship of Dreams with Celine Dion, who has the inside scoop on what really happened to Jack and Rose on the doomed Titanic. Dion's greatest hits and up-to-the-minute pop culture jokes power this zany spoof on James Cameron's Oscar-winning film.

The Daryl Roth Theatre is an exceptional Broadway theatre venue located at 20 Union Square East in the lively city of New York. Originally built as a bank in 1847, it was converted into a theatre and named after the esteemed producer Daryl Roth in 1998. The interior of Daryl Roth Theatre is as remarkable as its history. This 499-seat theatre boasts a beautiful, intimate setting. The space is flexible and can suit a variety of staging concepts, offering unique experiences to audiences every time. The theatre has hosted a variety of notable productions, most famously, *'De La Guarda'*, a long-running aerial show which ran for a stunning seven years. Today, the theatre continues to provide audiences with a wide range of compelling and diverse performances.

**How to get to the venue**

The Daryl Roth Theatre is located very centrally and is easily accessible by subway. One can take the L, N, Q, R, 4, 5, or 6 train to Union Square. If you prefer to take the bus, the M1, M2, M3, and M14 buses also have nearby stops. Moreover, for those in the mood for a walk, the location is a short stroll away from Washington Square Park in the vibrant Greenwich Village area.

Daryl Roth Theatre - NY

The Daryl Roth Theatre, a beautifully intimate venue in New York, offers unique theatrical experiences and is easily accessible by various means of transportation.

The Orpheum Theatre is a deeply historical and architecturally significant off-Broadway theatre located in the East Village neighborhood of Manhattan, New York City. For over a century, it has functioned as a launching pad for countless plays, musicals, and performers. With a seating capacity of around 350, The Orpheum provides a remarkably close and intimate performance experience. The interior design exudes a distinct, old-world charm that blends seamlessly with state-of-the-art lighting and sound systems, promising patrons an immersive and unforgettable theatrical experience. Over the years, this venue has played host to a wide array of world-renowned shows, including the now-iconic 'Stomp', which ran here for 25 years. The attentive staff and efficient service enhance the overall ambiance, making it a favorite spot for theatre-goers of all ages.

**Getting to the Orpheum Theatre:**
The Orpheum Theatre is conveniently located near various transportation links. For subway users, the closest stations are Astor Place (4, 6 trains), 8th Street-New York University (N, R trains), and Third Avenue (L train). Buses M8, M101, M102, and M103 also stop near the venue. If you plan to drive, parking facilities are available in the vicinity. The venue is accessible for people with disabilities, and wheelchair seating is provided.

Orpheum Theatre - NY

Orpheum Theatre

The Orpheum Theatre is a historic off-Broadway theatre in New York's East Village, hosting world-renowned shows in an intimate, old-world setting.

marla

Alex Moffat stars as Keith in [*The Big Gay Jamboree*](https://www.newyorktheatreguide.com/show/40775-the-big-gay-jamboree), which she also co-created, off Broadway at the [Orpheum Theatre](https://www.newyorktheatreguide.com/venues/orpheum-theatre) from September 14, 2024 to January 19, 2025.

Moffat is best known for his tenure as a cast member on *Saturday Night Live*, debuting in 2016 as a featured player and becoming a cast member in 2018, staying on for six seasons until 2022.

On screen, he has also appeared on TV shows including *The Bear* and in movies like *80 for Brady*. Moffat made his Broadway debut in *The Cottage* in 2023.

Alex Moffat - NY

The Cottage on Broadway - NYC

The Cottage on Broadway

The Cottage on Broadway - NYC Product Media

[*The Cottage*](https://www.newyorktheatreguide.com/show/27834-the-cottage-tickets) is an airy — and gassy — comedy about cheating. Sandy Rustin wrote the play with a single-minded mission — to keep you in stitches — and it largely hits the mark. 

Now on Broadway a decade after it premiered in Queens, the play’s laughs and momentum do dip on occasion. Nonetheless, the cast consistently manages to make infidelity entertaining. Even when someone pulls a gun.

It’s 1923 in an English country house. Don’t let the posh locale fool you, nor that Noël Coward has been cited as an inspiration for this rom-com: Nobody’s here to mind their upper-crust manners. The onstage curtain at the [Hayes Theater](https://www.newyorktheatreguide.com/theatres/hayes-theater) teases this. At first glance, you see a garden of colorful wildflowers outside the house. Soon, your eye catches squirrels boinking here and deer doing it there. It mirrors what goes on inside.

Since 1917, Sylvia ([Laura Bell Bundy](https://www.newyorktheatreguide.com/theatre-news/interviews/laura-bell-bundy-returns-to-broadway-after-15-years-in-the-cottage)) and Beau (*Will & Grace*'s Eric McCormack), who are married to other people, have carried on a *Same Time, Next Year*-style annual one-night tryst at his widowed mother’s country home decorated with animal heads. The sly implications of that decor eventually become clear. It’s always been a place about notching trophies.

It’s the morning after “passionate, wildly erotic sex.” Beau’s showering. Sylvia wears lingerie and is lit by afterglow. Per usual, he calls her Tulip, an endearment that makes her weak in the knees. But something’s different. Sylvia’s got a seven-year itch. She wants Beau to herself full-time. She has sent a telegram to her husband, Clarke (Alex Moffat, of *Saturday Night Live*), and Beau’s wife, Marjorie (Lilli Cooper), to tell them what’s going on.

In short order, they come to the love shack. The place gets even more crowded with the arrival of Deirdre (Dana Steingold) and her ex-husband Richard (Nehal Joshi). To reveal more about their interconnections and plot twists would be a killjoy. Suffice it to say there's a daisy chain of dalliances – and one link is way too close for comfort. 

Of course, that’s the point. For laughs' sake, the situation is over-the-top. Rustin raids the comedy playbook for the pure sake of humor. She includes an extended fart joke, bad puns, an ongoing gag about cigarettes and booze popping up in unexpected places, a potential murder plot (hence the gun), and a truly dopey dime-store disguise. 

“You stuck a mustache on a mustache?” asks a gobsmacked Sylvia. It’s absurd and funny, and it gets to the core of this layer cake of a comedy. Can’t have too much of a good thing. 

Jason Alexander, a *Seinfeld* alum who won a Tony for *Jerome Robbins’ Broadway*, impresses in his Broadway directing debut. He’s [assembled an ace ensemble](https://www.newyorktheatreguide.com/theatre-news/news/stars-of-will-and-grace-snl-legally-blonde-move-into-the-cottage-on-broadway), keeps the pace reasonably revved, and wrapped it up in a good-looking production. One quibble – he overplays his hand with grandly silly music and light cues as characters make entrances.

McCormack hams it up expertly as the haughty Beau. Cooper slow-burns until Marjorie gets a moment to let it all rip. Broadway newcomer Moffat steps up as the klutzy charmer. Best of the bunch is Bundy, who makes every comedic line and pose gleefully giggle-inducing. 

In the end, *The Cottage* is about Sylvia opening her eyes to her relationships with men. But the moment that sticks out is the hilarious sight of Sylvia plugging her nose with an old-timey phone receiver. Moments like that make *The Cottage* a Broadway funhouse.

[*The Cottage* is at the Hayes Theater until October 29. Get tickets to *The Cottage* at New York Theatre Guide.](https://www.newyorktheatreguide.com/show/27834-the-cottage-tickets)

*Photo credit: Nehal Joshi, Alex Moffat, Laura Bell Bundy, Eric McCormack, and Dana Steingold in The Cottage. (Photo by Joan Marcus)*

'The Cottage' review — an over-the-top comedy funhouse

Read our four-star review of *The Cottage*, written by Sandy Rustin and directed by Jason Alexander, on Broadway at the Hayes Theater through October 29.

The Hayes Theater, established in 1912 and located in the heart of New York City, is a notable venue for Broadway productions. Known formerly as the Little Theatre, the Helen Hayes Theatre was renamed in 1983 in honor of the acclaimed actress. Since its renovation in 2017, the Hayes has become one of the most technologically advanced, intimate Broadway houses. Its seating capacity of 597 hasn't affected the quality and charm of performances held there. Known for presenting some of the most innovative works of contemporary playwrights, it continues to attract theatre buffs from around the world. 

 ## How to Get There 

The Hayes Theater is situated at 240 West 44th Street, between 7th and 8th avenue. For those taking the subway, the Times Square-42nd Street station served by N, Q, R, S, W, 1, 2, 3, and 7 trains is the closest stop. If you prefer a taxi or a ride-sharing service, simply set your destination to the theater's address. There are also numerous parking facilities within a few blocks where you can leave your car if you're driving.

Hayes Theater - Second Stage Theater - NY

Hayes Theater

Hayes Theater, an intimate Broadway venue in NYC, presents innovative contemporary plays. It's accessible via subway, taxi, and has nearby parking facilities.

Alex Moffat

Constantine Rousouli stars as Bert in [*The Big Gay Jamboree*](https://www.newyorktheatreguide.com/show/40775-the-big-gay-jamboree), which she also co-created, off Broadway at the [Orpheum Theatre](https://www.newyorktheatreguide.com/venues/orpheum-theatre) from September 14, 2024 to January 19, 2025.

Rousouli is best known for originating the role of Jack in [*Titanique*](https://www.newyorktheatreguide.com/show/25241-titanique-tickets), which he also co-wrote. The show won the 2023 Lucille Lortel Award for Outstanding Musical.

He has also appeared in [*Wicked*](https://www.newyorktheatreguide.com/show/1-wicked-musical-tickets) on Broadway and a musical adaptation of the film *Cruel Intentions* off Broadway.

Constantine Rousouli - NY

Cruel Intentions: The '90s Musical Experience [7613]

Cruel Intentions: The '90s Musical Experience

Cruel Intentions: The '90s Musical Experience [7613] Product Media

(Le) Poisson Rouge is a music venue and art gallery located in Greenwich Village, New York City. Established in 2008, its mission is to present and promote music and art in an inspiring and inviting environment. It is known for its dedication to quality and diversity and boasts a wide range of performances and exhibitions. With a unique mixed media approach, the venue combines music, film, theater, dance and fine arts into one incredible, immersive experience. The space takes its name from the French phrase 'the red fish', symbolizing the versatility and vibrancy of the venue. The theater is equipped with state-of-the-art technology, curved wood paneling and lustrous red hues, reflecting its name and revealing a stylish and comfortable ambiance. Outstanding acoustics and a cozy lounge and bar area complete the venue's appealing character. It can host a capacity crowd of 700 for stand-up performances or 250 for seated events. Shows range from alternative rock, jazz, and classical to DJed dance parties, cabaret, and multimedia art events featuring prominent and emerging artists. To reach (Le) Poisson Rouge, take the A, B, C, D, E, F or M subways to West 4th St. or the 1 train to Christopher Street.

## How to Get to the Venue
From either subway station, it's a short walk to the venue on Bleecker Street. Located between MacDougal and Sullivan Streets, it is easily accessible and well-served by public transport, taxis, and ride-sharing services like Uber and Lyft.

(Le) Poisson Rouge - NYC

(Le) Poisson Rouge

(Le) Poisson Rouge, situated in Greenwich Village in New York City, is a renowned performing arts venue emphasizing quality and diversity, easily reachable via subway or taxi.

Ages 8+. Children under 5 will not be admitted.

Wicked on Broadway - NYC [1]

Wicked on Broadway

Wicked on Broadway [1] Product Media

There have been moments in the history of musical theater when, like a twister, the sheer talent and whirling spectacle of a production have flattened any negative criticism that stood to get in its way. Take October, 2003 for example. That was the month that <a href="/show/wicked">Wicked </a>opened in New York to generally dour reviews. But since then, more than 8.8 million people have found the heart, nerve and wisdom to pay a visit, resulting in the happy scene of a Broadway house filled with as many teens as adults, and making a tale, born from a 115-year-old children's novel, one of the top five highest grossing shows of all time.The latest incarnation of this impeccably oiled entertainment machine finds a new gear courtesy of a British import. Reprising the role she played on the West End for three years, Rachel Tucker steps in as the green-skinned Elphaba, a.k.a. the Wicked Witch of the West, and nearly blows the roof off the massive Gershwin Theatre with her opening number, "The Wizard and I." As the song reaches its climax, Tucker raises her arms, not especially high, but in a crooked witchly fashion, showing off the kind of smart physicality she brings throughout the evening. Opposite her, as Glinda the Good, Kara Lindsay aces the delicate assignment of being both ditzy blonde and sensitive friend while showing off her clear soprano and great comic chops.Among the show's many happy surprises, Michele Lee turns up, in fine form, as the scheming Madame Morrible, and Arielle Jacobs charms us from a wheelchair as Nessarose, until that unfortunate incident with a falling house. James Lynn Abbott's best moment of choreography comes not from any of the numerous, raucous ensemble pieces, but from a beautifully rendered bit of quiet ballet that arrives unexpectedly during the energetic "Dancing Through Life." And Stephen Schwartz's classic score provides a wonderful playground for the cast to swing upon, while reminding us of this composer's important history. Close your eyes and hear strains of Pippin in "As Long as You're Mine." Find the hint of Godspell playfulness in the staccato beats of "What is this Feeling."The Wikipedia plot summary for Wicked is over 2100 words long, which speaks not only to the show's dedicated fan base, but to the fact that this is a musical with a lot going on. It's a romantic comedy with strong political undertones, an animal rights treatise with a talking goat and flying monkeys, a parable on the pitfalls of getting what you want, a warning on the limits of friendship, and an homage to a classic film. In the realm of mythology, green-hued creatures have never had a simple time of it (see Shrek, Hulk, et al.), and rare is the story, let alone the musical, that is centered on two women who are unrelated, yet have a complex emotional attachment, while still remaining starkly unique individuals. But Eugene Lee's epic scenic design provides the framework to tie everything together. The show is completely set within the machinations of a huge clock, the Clock of the Time Dragon to be precise. And whether or not you are up on your Oz lore, this seems, at first, incongruous with the magical proceedings on stage. Why is Glinda's bubble-mobile so pendulum like? But then the metaphor becomes clearer. "I would do anything to turn back the clock," laments Elphaba, and later she demands, "Wait just a clock tick!" Once a spell is cast, it cannot be undone. Life moves forward, and Wicked reveals itself to be, more than anything else, a cautionary tale about learning to live with one's choices.(Photo by Joan Marcus)<hr />"'Wicked' does not, alas, speak hopefully for the future of the Broadway musical." Ben Brantley for New York Times"It's such a 'Wicked' waste of talent." Howard Kissel for New York Daily News"The most complete, and completely satisfying, new musical I've come across in a long time." Elysa Gardner for USA Today"Overproduced, overblown, confusingly dark and laboriously ambitious jumble." Linda Winer for Newsday"Far too arch and sophisticated for children...lacks... sophistication and wit that would make it palatable for adults." Frank Scheck for Hollywood Reporter"The best thing about 'Wicked' is its stars, whose talents cast a powerful spell." Roma Torre for NY1"Lavish, ambitious and problematic." Michael Kuchwara for Associated Press<a href="http://www.nytimes.com/2003/10/31/arts/theater/31WICK.html" target="Top">New York Times</a> - <a href="http://www.usatoday.com/life/theater/2003-10-30-wicked_x.htm" target="Top">USA Today</a> - <a href="http://www.ny1.com/ny/Living/SubTopic/index.html?topicintid=4&amp;subtopicintid=14&amp;contentintid=34381" target="Top">NY1</a>

'Wicked' review

The Gershwin Theatre is a breathtakingly stunning Broadway theater located in the heart of New York City. Named in honor of renowned composer George Gershwin and his brother lyricist Ira Gershwin, it was opened in 1972 and currently remains the largest Broadway theater with a capacity of around 1933 seats. Designed by set designer Ralph Alswang, the architectural aesthetics of the theater are a delightful blend of Art Nouveau and Art Deco styles. Over the years, it has hosted some of the most iconic and award-winning Broadway shows including 'Show Boat', 'Sweeney Todd', and its longest running show, the 'Wicked' that has been playing since 2003. The interior is beautifully adorned with ornate details and offers modern technological features promising a remarkable theatrical experience. In addition to its captivating beauty and grandeur, the theater is also known for exceptional acoustics which enhances the enjoyment of each performance. 

**How to get to the venue**

The Gershwin Theatre is readily accessible by public transport with the closest subway stations being 50th Street on the 1 line and 50th Street on the C and E lines. Several bus lines also serve the area. If you prefer to drive, there are multiple paid parking lots in proximity to the theater. It is situated at 222 W. 51st St., perfectly positioned between Broadway and 8th Ave.

Gershwin Theatre - NY

Gershwin Theatre

The Gershwin Theatre, the largest Broadway venue, in New York City is known for its stunning aesthetics, exceptional acoustics, and iconic performances.

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Orpheum Theatre - TodayTix

The Orpheum Theatre is located in the East Village neighborhood of Manhattan. Originally established as a theatre in 1904, the venue once played a huge role in the Yiddish theatre scene and was known as the Player’s Theatre.

In the 1920s, the building was converted into a movie theatre. The venue reopened as a theatre in November 1959 with *Little Mary Sunshine*. In the following decades, landmark Off-Broadway productions including Cole Porter’s *Anything Goes* and Alan Menken and Howard Ashman’s *Little Shop of Horrors* premiered at the Orpheum Theatre.

After further renovations in the 1980s including a capacity increase from 299 to 347 seats, the venue opened again in 1994 as the Orpheum Theatre with *Stomp*, which ran until 2023. Liberty Theatres owns and operates the Orpheum and the [Minetta Lane Theatre](https://www.newyorktheatreguide.com/theatres/minetta-lane-theatre) in the Greenwich Village neighborhood.

## How to get to the Orpheum Theatre off Broadway

The Orpheum Theatre is closest to the Astor Place subway stop on the 6 line. The 8 St. - NYU stop on the R and W lines and the 2nd Ave. stop on the F line are also nearby.

The closest bus stop is St Marks Pl./2 Av. on the M8 line.

## Restaurants near the Orpheum Theatre

Popular restaurants near the Orpheum Theatre in NYC include Veselka (Ukrainian), The Smith (American), San Marzano (Italian), Mighty Quinn's Barbeque (American), and Kimura (Japanese).

Orpheum Theatre - New York Theatre Guide

The Orpheum Theatre, located in Manhattan's East Village, has been a pivotal venue since 1904 for theatre, cinema, and notable Off-Broadway productions.

Day of week	Matinee	Evening
Monday	-	-
Tuesday	-	7:00 PM
Wednesday	-	7:00 PM
Thursday	-	7:00 PM
Friday	-	7:00 PM
Saturday	-	5:00 PM, 9:00 PM
Sunday	3:00 PM	7:00 PM

The Big Gay Jamboree Tickets

About The Big Gay Jamboree

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Marla Mindelle

Alex Moffat

Constantine Rousouli

The Big Gay Jamboree cast and creative team

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Orpheum Theatre

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